Atlantic Technology 334 SB User Manual Page 3

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32
Australian
O N T E S TO N T E S T
Atlantic Technology 334SB Subwoofer
LAB REPORT ON PAGE 85
turn up the volume of the subwoofer higher
than normal if you like. Then, crawl around
the floor (no, I’m not joking) with some
white electrical tape in your hand. As you
move around, you’ll hear the bass alternately
get stronger and weaker. In some point of the
room it might be so weak that you can barely
hear it at all. Mark all the spots where the
sound is strong by sticking some white tape
to the carpet. Once you’ve covered the entire
floor area, your carpet should be littered with
bits of white tape. Now, if someone usually
listens to music with you—or watches movies
with you—move the subwoofer to where their
head would be, and repeat the process, but
this time listening only at the spots you’ve
already taped. If the bass is still strong at a
point, put another piece of tape crosswise
across the first bit. When you’ve finished,
you’ll find that you can put the subwoofer
anywhere there’s a white cross on the floor
and be assured of getting good bass at the
listening position/s. Once the sub is in this
position, it is only then that you should
adjust the subwoofer’s volume, low-pass and
phase controls to fine-tune the sound at the
listening position.
Adjusting volume on the 334SB is sup-
posed to be easy, because of the rotary control
on the front, but in fact, having to remove
the grille makes it a bit more inconvenient
that it would seem. And you can’t access it
by ‘pushing’ through the cloth on the grille,
because behind the cloth is a fairly solid
plastic grid to prevent you doing this. When
you do come to use the control, there’s a
‘click-stop’ at the extreme left-most setting of
the control that one would normally expect
would turn the subwoofer off—or at least do
something!—but in fact the click signifies
nothing at all, and doesn’t turn the sub-
woofer off, or to standby, but instead selects
a preset volume level that’s the equivalent of
rotating the control to about the ‘10 o’clock’
position. So, in order to ensure you start with
the volume at minimum, you have to wind
the control fully counter-clockwise until it
‘clicks’ and then ‘unclick’ it by winding it
very slightly clockwise.
Anyway, enough of the preamble, because
once I did have everything set up to my
satisfaction, and started playing music (I
started with the 334SB set-up with a pair of
stereo speakers in a sub/sat configuration) it
became clearly apparent very quickly that
Atlantic Technology’s little 334SB is a bit of
a ‘sleeper’ because it not only delivered deep
bass, but lots of it. And that bass is deep,
solid, and very tight. I decided to start with a
CD with such low bass that I knew it would
provide a benchmark for later sessions, and
sure enough, I found that the low-frequency
levels on Telarc’s Bachbusters (CD80123) were
just a little down compared to my reference
subwoofer (which is about four times the
size and has double the cone area!), which I
thought was an excellent result. Firing up my
favourite ‘bass’ CD (a favourite not so much
because the bass is really deep, but because I
really like the music on it, which makes it fun
to play when I’m ‘working’), the 35Hz bass
notes on Joan of Arc (from Jennifer Warnes’
album of Leonard Cohen songs, ‘Famous Blue
Raincoat’) was delivered at exactly the correct
volume, and with a tone so pure that the
impression that the sound was coming from
the main speakers, and not the 334SB, was
perfect. The sound was so good that I finished
listening to the entire album, even though it
wasn’t entirely necessary, after which I pulled
out an ‘even bigger gun’ in the shape of the
first track of Dark Side of the Moon (on SACD
this time) which chimes in at 27Hz. Again,
the 334SB rose to the occasion, the only
slight limitation being that if I turned the
volume too high, I did run into the subwoof-
er’s maximum output capability, with the end
of the voice coil reaching its physical limit.
Whether you’ll experience the same limita-
tion will depend on how loudly you play
your music, what level you’ve set the sub for,
the size of your room and whether or not
you’ve positioned the subwoofer optimally,
but my opinion is that in small to average-
sized rooms, so long as you don’t want the
earth to move, the 334SB will provide sterling
service. More sessions with the 334SB wired
up via LFE to perform the low-frequency
duties in a 5.1-channel home theatre system,
using very small two-way satellite speakers
as the main fronts and surrounds, more than
proved its potential in this type of set-up.
Indeed when watching movies, the sustained
low-frequency sound effects (continuous
rumblings et al) made the 334SB sound even
more impressive than it does with music,
such is the authenticity and quality of the
bass at very low frequencies.
ConClusion
Atlantic Technology may have cut a few cor-
ners on the cosmetics, and included only the
most basic inputs you’ll need on a subwoofer,
but since most people want to hide their sub-
woofers away anyway, and also require only
basic inputs, this corner-cutting has enabled
AT to deliver a small, impressively high-per-
formance subwoofer at an impressively low
price. greg borrowman
this in your AV receiver’s setup menu.
The Atlantic Technology 334SB stands
3840mm high, is 390mm wide and 417mm
deep (my measurement is different to Atlan-
tic Technology’s specification because I’ve
included not only the depth of the grille, but
also the fact that you have to allow at least
32mm extra for the mains plug. I used a com-
pact 90° angled one. A ‘straight’ plug would
require even more depth). It weighs 16kg.
The only available finish is a black vinyl
(with a slightly stippled surface) that covers
the front baffle, the top surface and the rear
of the subwoofer. The sides are finished in
a ‘satin black’ paint. (The top-line model in
the SB range apparently is also available in
a gloss black painted finish, but I haven’t
seen one.) For the record, I have to say that I
wasn’t overly keen on the vinyl finish, nor on
the overall cosmetic design of the subwoofer:
those ‘scallops’ on the side where the sides of
the subwoofer curve up and arch away from
the corner ‘skirts’ that hide the four rubber
feet looked a bit twee to me. However, that’s
just my personal opinion and I generally find
that most people place subwoofers where
they’re pretty much out of sight anyway!
Since I’m having a whinge, I should also say
that if you’re looking at AT’s promotional
literature, you should have a salt-shaker
handy, because the company regularly goes
‘way over the top with hyperbole when
promoting its products. Read its literature
literally, for example, and you’d be forgiven
for thinking that Atlantic Technology is the
only subwoofer manufacturer that makes
subwoofers approved for use with both 110V
and 240V mains voltages! Another example is
the outrageous claim that: “other subwoofers,
regardless of their power ratings or limiters, can’t
match the sound of an Atlantic subwoofer for
detail and musical accuracy.” Mmmm…
in use and lisTening
sessions
There’s also much nonsense published about
positioning subwoofers, the most egregious
of which is the advice that you should not
place them in corners. In fact, this advice is
wrong, because a corner is one of the very
best places you can put a subwoofer! (You
should not place either the left or right chan-
nel speakers in corners, which is probably
how that furphy came about.) Probably the
best way to work out the best position for
your subwoofer is to place the subwoofer
where your head would normally be when
you’re listening to music (and/or watch-
ing the screen). I appreciate this may mean
some creative use of stacked milk crates and
furniture, and the temporary moving-aside
of a seat or couch, but it’s worth it. Once
the sub is in place, connect it to your system
(you’ll need a long extension lead, or one of
those WA-50s I mentioned earlier), then start
playing a DVD or CD with low bass. You can
Atlantic Technology’s
little 334SB ... not only
delivered deep bass,
but lots of it... and that
bass is deep, solid, and
very tight
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